Chicago scores with sass and sex appeal—the musical begins with a stellar performance of “All That Jazz” and quickly transitions into the next three numbers, constructing a piece that resembles a variety show or cabaret due to a lack of initial dialogue-based plot development. In contrast to the film’s information-packed opening sequence, in the stage production the audience doesn’t realize Velma Kelly has murdered her sister and husband until a few scenes have passed. However, the introduction artfully couples Velma’s song and dance routine with Roxie’s romantic gallivanting, setting the tone for a fast-paced, enjoyable show.
The theatrical performance plays up humor—it’s not as steamily serious as the film, but instead capitalizes on the theme of corruption and amplifies the omnipresence of Chicago crime during the 1920’s. It focuses on the idea of reaching show business success via infamy, on distortion of the truth and the power of the media and money. Songs such as “Razzle Dazzle” are coupled with half-joking lines that note, “that’s what’s so great about this country” (in reference to greed, dishonesty, power, etc.)
Furthermore, the production features a spunky Roxie who is almost always confident—the vulnerability the character presents in the cinematic version of the piece is absent here, masked by pluckiness and a contrived Southern Drawl. On the other hand, Velma’s strength wavers frequently towards the middle and end of the play; it seems that she’s at the mercy of other characters’ actions more often than not.
Visually, the stage layout is simple and sweet—the performance is outlined by a gold frame, as is the orchestra box, which appears in the middle of the stage space (an interesting choice—although this allows the performers to interact with the musicians, it also eliminates room for movement and more intricate blocking and dances). Two ladders, downstage right and downstage left, provide for acrobatic tricks and intriguing dance moves. Skimpy, sparkling costumes also enhance the show aesthetically, and interestingly, throughout the piece the chorus members remain in the same cabaret attire despite their additional roles of doctors, civilians, and policemen.
The production was entertaining throughout, extremely captivating and fun. For me, the film adaptation trumps this performance in terms of dance choreography, story development and character precision, but as a lover of the songs and a night of musical theater, I’d recommend this piece to those looking for a sizzling night out.
Andrea Morrison
UC London Bloomsbury
amorriso@ucsd.edu
Wonderful observation and expression of the design of this famous show. You pinpoint precisely those aspects of performance that impact on the actors', singers' and dancers' ability to negotiate the stage space. Also, fine comparative analysis of the stage versus film narrative and how this impacts on the play. Perfectly written and expressed. Dr Q
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